For instance, I've been reworking the current draft of Hidden Daughter while rewriting the first draft of Coalface, my YA novel. They're really different, but the experience gained from writing one is helping me see how to get the best in the other. But as I switch between projects, there's a nagging feeling in the back of my mind that I'll be back there again.
So how do you stop? Have someone take it off you.
Even so, I couldn't stop myself editing the fifth draft copy of the script in my lap - then I realised it didn't matter one bit. Because it's no longer being performed by me, to me. Sent/Received has a new voice and a new audience beyond the safety of my laptop. I did what I do best in these uncharted situations- stayed quiet, put the kettle on, and listened.
Theatre director Andrea Milde has her own vision of how to tell the story with the cast, and it's been fantastic to watch their experience bring Sent/Received to life, so I can learn how a story unfolds outside of my imagination.
It's something I'm looking forward to doing with my novels in the future; right now, I'm looking forward to rediscovering Sent/Received with an audience at the end of this month in Sheffield and Nottingham. Hope you can join us - I'll be the one looking for a kettle.